Morgoth's Review offers a Non Politically Correct spin on news, politics and popular culture. If you are easily offended or of a Liberal persuasion this is not the place for you.
Despite the mauling I gave Tarantino's Hateful 8, and despite having promised myself never again to watch one of his movies, Once Upon In Hollywood was getting some fair coverage in our circles so I knuckled down once again to a Tarantino fest. And the standout scene of the movie was seeing Brad Pitt humiliating Bruce Lee which genuinely made me laugh out loud, and then the hysterical reaction of the Bruce Lee fanboys added a nice dollop of satisfaction.
In the end though, where is there left to go for postmodern American pop culture other than to trash and humiliate all ideals, all respected figures and all traditions and cultures.
It's a good thing we don't have an elite who run child sex rings and then mysteriously commit suicide while on suicide watch, because if we did The Times would look pretty retarded for carrying an entire article on Mark Collett's YouTube channel. Oh wait, they did... I don't have much to say on this but because The Times is behind a paywall and fewer people can access their material I thought I'd post it here.
As the blame game begins in earnest over the recent shooting spree in America we have to consider how so many flaws in western society are simply not being addressed. A destructive idea takes root and for some strange reason it's never replaced by a better idea, just more bad ideas.
The dramatic events of the last few weeks surrounding the Tommy movement have proven to be highly fruitful for non-kosher nationalists. Never have I seen the nature of the controlled opposition be so blatant and never before have we had the social media reach to challenge it directly. The whole movement stinks to high heaven and our friends at the Daily Stormer have even revealed that Tommy movement figurehead ''Brian of London'' who actually lives in Israel, has even attended a Hasbarat awards ceremony and dished out a variation of an Oscar for Israeli agents engaged in underhanded gay-ops against, well...everyone it would seem.
The zeitgeist is awash with tedious takes from normie-cons and classic liberals endlessly clogging up the discourse by endlessly equating Marxism and Fascism with each other. Fascism and Marxism are the same thing, Anti-Fa are the real Fascists, but the White Nationalists are the extra, extra real Fascists, and so the autism grows. Why not just look at the aesthetics of each movement in order glimmer what the real differences were....
Summer holiday season means that our English roses decamp to the continent for weeks of depraved orgies, drunkenness and the very high chance of being gang raped.
Bladerunner 2049 takes us into world owned and run by giant corporations who ceaselessly warp and break down the natural world and order to squeeze more profit out of the lonely dead souls which inhabit it. The only Beings which are capable of understanding the beauty of a snowdrop are themselves creations of the technological machine which is now hunting them down.
If that all sounds vaguely familiar it should, and we've been heading there for a long time...
I'd assumed that the hysterics over Morrissey posting my video on the rap star ''Stormzy'' would have died down after a week or so, that the storm would pass, so to speak. However, far left activist and champagne socialist Billy Bragg has kicked more life into the drama by appealing to the MSM to further put the bite on Morrissey. And they've dutifully obliged, The Independent reports:
The clip, which appears to have since been pulled, was described by Bragg as a “white supremacist video” that borrowed footage from Stormzy’s headline performance on the Pyramid Stage “while arguing that the British establishment are using him [Stormzy] to promote multiculturalism at the expense of white culture”.
That was indeed my argument and Bragg doesn't even try to refute it, instead he's decided to run to the establishment media to prove to us that the establishment doesn't have an anti-white agenda. He goes on...
Comparing Cape Fear 1962 to Cape Fear 1991 is to compare a middle class white family before and then after the 60's counter culture revolution.
Cape Fear 62 is a pitch perfect representation of the white family while the 91 version, Martin Scorsese's, represents a bunch of self obsessed ''individuals''. Is this perhaps a metaphor for the west in general? Like the Bowden family are we Europeans being collectively punished for becoming weak and degenerate?
I couldn't resist taking a bite out of the low hanging fruit that is the annual Glastonbury pop music festival. My favourite howler was the makeshift banner demanding open borders which hung on Glasto's new £3 Million fence to keep out any unruly plebs who could not afford the extortionate price of the ticket in.
