Thursday, 19 April 2018

Lord Nelson And The Bailey

Over the last few months the Cultural Marxists have began dripping the idea of tearing down British statues and monuments into the public discourse. It began when Afua Hirsch, who's every bit as British as her name and appearance would suggest, wrote an article at the Guardian calling for Nelson's column to be torn down.

 I should confess here that I've reached the stage where my outrage tank is running on empty and I no longer have the energy to dismantle these ludicrous Neo Marxist talking points. In the end these people hate us and want to see us destroyed and our culture erased, cut through the social justice ooze and that is what it comes down to. I'm not interested in whether people such as Afua Hirsch regard this or that great Briton as ''racist'' because I regard the importation of the Third World into Europe as a crime against humanity, any complaints they have while here are to be utterly ignored.

 Nevertheless, the tactics which have been used here are worth looking into and as this issue develops I notice once again the tactic of the ''Motte and Bailey'' being deployed. I referred to this on a hangout a while back but with the Nelson's Column issue we can see it being used in earnest.

Saturday, 14 April 2018

Damascus And The Damned

As our bombs fall once again on the Middle East without any democratic mandate whatsoever, in direct opposition to Trump's entire election campaign and the wishes of his base, a narrative forms around Trump's behaviour, essentially it's ''They got to him''. The eternal deceivers and international liars have somehow managed to ensnare Trump, how, why, when, it hardly even matters.

 Of course, there's always been a contingent on the right who held that Trump was a controlled opposition faker all along, and they do indeed have justification for believing that to be the case.

Tuesday, 10 April 2018

No More Wars For Israel

I've decided to use my humble platform to join the growing chorus of people who are now openly stating their disgust at the manner in which we, Europeans, are being cattle prodded and hoodwinked into another blood soaked escapade in the Middle East on behalf of Israel. 

For the last few months we've sat back aghast at the incoherent and obviously false narrative being peddled by the controlled media. A legion of Jewish run media outlets demanded we hate the Russians, they then turned on Jeremy Corbyn, a notorious pacifist, as well as the anti-Zionist elements of the left. Why they were doing this only now becomes clear, they needed troublesome elements to receive a punishment beating before the Syria crisis began in earnest.

Thursday, 5 April 2018

Living In A Madhouse: The Guardian vs The Guardian's Comments Section

If, like me, you're an avid hate-reader of The Guardian you may have noticed that they close their comments section on what they would call ''sensitive issues''. Those sensitive issues usually involve Islam, immigration, grooming and political correctness. Personally, I thought they closed their comments because their opinion pieces were tripe and the editors simply could stand witnessing their over paid writers and pundits take another pounding off the public.

 But it turns out I was wrong, in fact the Guardian have been engaged in a lengthy investigation into their own comments section which, they claim, has been the target of a consistent ''cyber-attack'' carried out by Russian trolls. In his article ''What do Russian trolls fear most? Transparency'' Paul Chadwick enlightens us as to what exactly has been going:

Saturday, 31 March 2018

Lessons From The Vietcong

I've recently noticed an increasing pessimism and despondency among prominent people within the ''Alt-Right'' with seemingly everyone on their various platforms lamenting the lack of direction of the movement and wincing under the increasingly draconian censorship, whether by the various internet companies or our political adversaries themselves.

 To be surprised and shocked that our enemies are using their power to cripple us is itself a sign that the dissident right is not very adept at placing itself within a larger context or ideological framework. Our movement loves romantic images of Spartans, Roman Legions and the Wehrmacht, and I understand why, but in a modern context we're more like the Vietcong. The Vietcong were of course Marxists, Vietcong literally means ''Red Vietnamese'' but nevertheless, what they did was fight a vastly superior enemy with scant resources, and win.

Wednesday, 28 March 2018

The Wailing Mural

Personally I prefer how far right Nationalists depict cabals of scheming Globalists and merchants to this leftist entry into the genre, I feel that the lefty propaganda lacks the bite and sense of urgency of right wing incarnations, but whatever, Jeremy Corbyn liked the one above, and oh dear...what a shit-show!

Sunday, 25 March 2018

Morgoth's Review Hangout 6 - The Great British Shutdown

In our latest hangout Arya, Jim and Myself are joined by Sven Longshanks to discuss the increasing censorship and mind-bending ''Hate Speech'' laws, who is behind them and what role they play in our magnificent liberal utopia.

Tip Jar

Monday, 19 March 2018

No Russian Ever Called Me A Racist

No Russian ever called me a racist. Vladimir Putin is not advocating that I be jailed for 15 years for reading ''Far Right'' propaganda. The Russian people are not responsible for unending, genocidal levels of Third World immigration and Vladimir Putin did not cover up the mass rape of English girls by those Third World peoples. Neither are the Russians responsible for driving white children mad with the abomination of transgenderism and the resultant fad of mutilating their own genitals.

 The British liberal classes and their media which oozes hatred and contempt for the native population on a daily basis, which views our wish to live alone on our own soil as a virus which must expunged is not Russian or connected to Vladimir Putin. In actual fact the people who demand I hate the Russians and their leader are the exact same people who've set about annihilating me and mine, the same newspapers, the same TV channels, the same ''Witzes'' and ''Cohens'', the same pundits and tedious politicians, the very same.

Thursday, 15 March 2018

The British Government: Monsters or Morons?

I've spent the last few days trying to wrap my head around the Government's decision to detain, deport and ban Lauren Southern and Brittany Petitbone, two Alt-Lite super-babes, and Brittany's boyfriend, Martin Sellner of Identity Europe, who came to Britain with the intent of winding up the lefties and Muslims. I say that rather glibly because let us be honest here, that is what they wanted to do, as Southern admitted, their aim was to point out the double standards, to further expose Muslims as a sanctified and protected group and to ask why Jihadists are allowed to roam free on our streets.

 And hey, that's great!

 But what leaves me utterly bewildered is the response of the government, not because I'm particularly surprised that they banned and arrested two '' Thot Thought Criminals'' but by their staggering tactical incompetence.

Saturday, 10 March 2018

Mel Gibson's Apocalypto

We should be grateful that Apocalypto was well into production when Mel Gibson swamped headlines with his ''anti-Semitic rants'' in 2006 because judging by the subsequent nosedive in Gibson's career the people who don't run Hollywood in their own interest would have surely shelved the project. In actual fact even if Gibson hadn't ''offended'' the Hollywood Jewish elites the themes and ideas contained within Apocalypto would have been enough to make them wince anyway.

 A movie focused on the dying Mayan Empire which depicts the Mayans as ruthless and barbaric, a movie which carries this on its opening credits:

Was always bound to catch the ire of the porridge brained lefties in the mass media and indeed, it did.  A movie featuring Mesoamericans slaughtering each other and ritually sacrificing each other into civilizational collapse and then being rescued by the white man, as the leftist media would have it, would have been a film I'd be quite happy to watch, but that isn't the movie Gibson made.

  Apocalypto is, however, deeply ''Right Wing'' philosophically. Gibson is not interested in playing at ''Identity politics'' but rather in exploring themes of moral decay and spiritual rebirth. Apocalypto is the story of young man (Jaguar's Paw) who witnesses the rape and plunder of his people at the hands of the formidable warrior ''Zero Wolf'' and is then marched off in slavery to the unnamed Mayan metropolis to be ritually sacrificed. Meanwhile Jaguar's heavily pregnant wife is hiding in a hole in the forest floor from which she cannot escape.

Wednesday, 7 March 2018

Liberated From Twitter

So I've now joined the ranks of the fallen on Twitter and became another politically incorrect dissident purged from Twitter's free speech platform. I'd like to thank all my brethren for expressing their sadness at my departure and wish them continued success in their aim to subvert Twitter's core ideals and turn the platform into a red-pill production line.

 However, I doubt I'll be back, or joining Gab as has been suggested. In actual fact, being banned from Twitter seems like sweet relief. 

Sunday, 4 March 2018

When Irish Eyes Aren't Smiling: Project 2040

Joined by Critiqued, Gearóid Murphy, Azazel the Goy, Arya Sattya and Gentleman Jim Crow to discuss Irish nationalism and the deeply sinister ''Ireland 2040'' project.

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Wednesday, 28 February 2018

Afrofuturism And Fashwave

Another great post by House Of The West

A shell script, in computing, is not only a way of giving direct instructions to be carried out by a system, but a way of expanding the limits of what a computer can do. Using the right language, and bundling with a keyword, a computer can carry out a sequence of events on command. I am writing here in the context of open source computing especially. If explained in the right language, the computer will carry out the most sophisticated instructions when given the keyword, with a small program that pushes the limits of what was possible before.

I currently run Ubuntu, or ‘babbys first Linux’ as it is widely and pejoratively known. I don’t need anything complicated, I use my laptop as a word processor and for some studying. Although as a subject, computing interests me. I have talked about some of the political history of computer security in a previous article.  In computing, in most cases, restrictions are malleable and ca be circumvented. Whilst wanton destruction is not interesting, the curiosity that urges us to trespass into dangerous places, or consider innovative ideas certainly is. Perhaps, it is a kind of indicator of intelligence, the will to envision that which is not and bring it into being.

Sunday, 25 February 2018

Nationalism Of Future Past

This week Arya Sattya joins Theberton and I to discuss the BNP surge, real world activism and the infuriating lefty James O'Brien.

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Wednesday, 21 February 2018

Living In A Mad House: Tower Hamlets And The KFC Crisis

According to Wikipedia the London Borough of Tower Hamlets is ''one of the world's most racially diverse zones''. The white British made up just 45% of the people living in this ''zone'' in the last census, officially Tower Hamlets is 55% ''diverse''. The official state propaganda insists that diversity is worth it because of the amazing food the Third World brings us, yet weirdly during the current nationwide shortage of Kentucky Fried Chicken Tower Hamlets police had to send out a Tweet telling the residents of one of the world's most racially diverse zones not to call them because it wasn't an emergency.

On LBC Radio Nick Ferrari pointed out that his parents and many others from Tower Hamlets endured World War 2 and The Blitz, he's amazed that today's Londoners react to a shortage of fried chicken by ringing the police. But why express such exasperation when the people and the culture Ferrari is alluding to have been systematically purged from the area?

Friday, 16 February 2018

An Ode To Laura Trott: The Movie

Theberton and I have created a video version of my post ''An Ode To Laura Trott'' It's one of my personal favourites and particularly pleased with how the video turned out.

 I hope you enjoy it.

Please click through to YouTube via the video, because we plundered the Olympics archive for footage it can't be viewed on third party sites.

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Wednesday, 14 February 2018

Living In A Madhouse: All Hail Our Lord, The Great World Eating Money Lender

I thought I'd breathe some new life into my ''Living in a Madhouse'' series of short, off the cuff posts by taking a look at something I find rather odd about the British Government's ''Tax Summary''.

 Right now the Government is sending out their annual tax summaries to every employed tax payer across the country, essentially it's a breakdown of where our money went, here's the government's example:

Saturday, 10 February 2018

Cheddar Man, Barry Stanton and the British

Another superb post by House of the West

A question beloved by leftists, government officials, members of their ethnic vote crop, celebrities, journalists, BBC presenters, assorted agents of the state and Marxist ideologues alike is; ‘what is it to be British?’

This is not so much a question as it as lead into a narrative that rejects and dismantles what we historically took for common sense, that the British were simply the British. We had some thousands of years of heritage and it was ours and ours alone, with the exception of trading and business and some historic overlap here and there we were never in doubt about our claim to a homeland. Our castles, stone circles and universities were the unique claim and inheritance of our children. The other was clearly defined, they were not British because they were not British. They were Swiss, French or Somali.

Sunday, 4 February 2018

Morgoth's Review Hangout 3: White Terror and Technocrats

Exploring the increasingly common phenomenon of white men resorting to violence against the liberal establishment.

Just to reiterate, nobody involved with the hangout condones or supports any form of violence, threats or intimidation in any way shape or form.

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Wednesday, 31 January 2018

Memorials To Brutalism

With Holocaust season mercifully behind us for another year I've found myself contemplating various comments and diatribes I came across online regarding the aesthetics of the increasingly numerous Holocaust memorials springing up across Western cities.

 One Twitter user lamented:
''Every modern Jewish monument betrays a terrifying and inhuman soullessness. Always stark concrete and steel, some assault the senses by aggressively flouting any notion of symmetry of balance. Others simply erect giant, inhospitable planes to crush the human spirit.''
Now that's harsh, but is there any truth to it?

 I've often blogged about the moral uses and abuses of the Holocaust narrative, but in this case let us leave history aside and look at this from a purely aesthetic perspective and see where it leads. Firstly though, I'd like to take a closer look at non Holocaust related memorials so we can see how other people are marking historical tragedies.

Below is the main monument at Kiev's Holodomor memorial site. The site itself is a rather modest affair sitting atop a rather scenic park.

The emaciated girl signifies millions of Ukrainian children deliberately starved to death by the Bolshevik regime. The statue itself is the size of a young girl and visitors often place stalks of wheat and corn through her arms to mark the crops seized by the Bolsheviks. The statue and poise of the girl seems to be telling the story of an innocence betrayed and the vulnerability of children when ruled over by psychotics and or hostile ethnic groups.

Saturday, 27 January 2018

Morgoth's Review Hangout 2: Merry Holocaustmas

In our second ever hangout the wonderful YouTuber Arya Sattya joins us to discuss religion, and Holocaustianity on Holocaust remembrance day:

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Tuesday, 23 January 2018

The Avocado Smash Socialist

I was recently sent this wonderful post dissecting Champagne Socialists on ''Instagram''. The piece is from a blog called ''House of the West''......

 My job is pretty easy, so I can’t envy people who have worked hard and made something of themselves. I have it easy, so I don’t get much in return for my work. This is a temporary arrangement that leaves me with plenty of time to go to the gym, write and study and it will probably be over by next Spring. I’m enjoying it while I still can. I do not envy the people I will go on to write about, or wish to take anything from them. They no doubt deserve their success, the issue I will take is with their worldview alone.

Tuesday, 16 January 2018

The Trials Of Henry Bolton

 Rock legend Meatloaf once poignantly sang:
 I would do anything for love, but I won't do that!
UKIP leader Henry Bolton dumped his long time wife and the mother of his kids by text, just before Christmas, in order to jump ship for Jo Marney, a fellow UKIPer and glamour model half his age, he would do that, no problem. 
 However, when it was revealed via a leaked Facebook conversation that Jo ''wouldn't with a Negro'' it was too much for Bolton, she had to go, that's simply not the Cuckservative way.

Thursday, 11 January 2018

Napoleon (1927); A Nietzschean Film

On my recent appearance on Millennial Woes' Christmas extravaganza I mentioned that I'd be happy to help out any new bloggers by posting their material here. I didn't expect much of a response and I didn't get one, however, one blogger called ''The Shandy'' contacted me asking if I might be interested in his exploration of the themes in a classic of French cinema........

Crack!– the starting pistol fires. Gance caused much consternation among his cast by firing a live revolver past Albert Dieudonné’s ear to begin each shoot. That intensity is a microcosm of the Faustian dynamism that characterises Gance’s epic. To take the shoot literally, in ironic fatalism, in triumphant mania– such was Gance’s attitude in the middle stages of the twenties.

In 1919 Gance released J’accuse…! a scathing and fatalistic critique of the first world war– a brother war, an absurdist war, a war of European capitulation– and so it is interesting that, almost a decade later, he would create its thematic counterpoise– perhaps even its resolution: a celebration of the heroism of militarism shorn of the fetishism of war. Militarism and warmongering are distinct, and it was the tradition of enlightened militarism, which Napoleon inherited from Frederick the Great, that Gance was celebrating; the sublimity of war before industrial death.

After the artistic success of J’accuse…! and other works in the early 1920s, Gance won the freedom to create a biography of the greatest European: Napoleon. Originally Gance had intended to create a six part biography spanning a Wagnerian forty hours of film. The film itself is an extraordinary vision, smothered in the crib in some ways. Due to production problems, the Wall Street Crash, and a somewhat tepid response to his film from the mass ranks of bourgeoisie, only part one of Napoleon (1927) was released. The film still runs for about six hours with intermissions, which grants it the status of epic despite its incompleteness.

Gance’s influence in European cinema was monumental, inspiring not only much of French New Wave cinema but the greats of NAZI and Soviet cinema, and classic Hollywood directors like Kubrick. Gance believed that the camera should be liberated, so that the audience were no longer mere spectators– producing extraordinary scenes where he runs around with the camera, straps it to a horse and lets it gallop off, swings it from high wires, dives into the sea with it to see “what one wave looks like to another” and so on. This visceral artistic attitude, particularly in relation to the subject of Napoleon is similar to that of Thomas Carlyle. The harshness and biblical severity of Carlyle’s prose– broken, with extensive uses of the dash– create a living text. When we read Carlyle’s French Revolution we feel as though we are a part of it. Gance’s cinematic representation of the French Revolution was Carlyle’s text transliterated into film. When Napoleon is escaping Corsica– alone, on a dingy, using the tricolour as a sail– and the scene cuts between the seas and the purge of the Girondins, we are no longer mere spectators– the two eccentric artists above grab us by the collar and hurl us into the tumult of the revolutionary vortex.

Gance’s quasi-demonic energy, frenetic cutting, and intense close shots were first explored in his 1924 film, La Roue, which prefigured much of the techniques later adopted by Eisenstein in Battleship Potemkin (1925). The scenes of the French revolution in Napoleon so influenced Eisenstein’s October (1928), that in the year following the its release he– along with Pudovkin, Aleksandrov, and the rest of them– travelled to Paris to personally thank Gance for teaching them everything they knew.

Monday, 8 January 2018

The Death Of Peter Sutherland

My first full YouTube video. Theberton and I have created a whole new YouTube channel with the imaginative title of ''Morgoth's Review''. I will of course continue blogging here but there will also be an official YouTube channel bolted onto the blog.

Wednesday, 3 January 2018

Oh My Lorde!

The most commonly discussed topic within Nationalist circles is not, as is commonly believed, the ''JQ'' but rather the ''WQ''. The women's question is the rather daunting realization  (#NotAll) white women can have their maternal instincts triggered as soon as they see a greasy brown kid in a dirty tracksuit. We can show them the stats, we can explain the lies, explain the demographic apocalypse, point out the direct connection to terrorism and mass rapes, and yet and artfully shot photo of little Abdul sitting on a pile of rubble with tears streaming down his face makes everything you've explained null and void. 
 And before you can say ''sweetheart he's not 9 he's got a beard and grey hair!'' the borders have been thrown open and you've got ''diversity bollards'' and S.A.S Sniper units on rooftops overseeing the new years eve fireworks display.

 It's a problem because white women are the only group we oppress who we can't deport, however, it's nice to know we're not the only ones who have to deal with the WQ, enter pop singer Lorde....